Assim mesmo, com minúscula! Todo moderninho, mas não respeita as pessoas nem se comporta como cidadão: para não perder uns caraminguás, faz obras madrugada adentro, martelando e usando serras!! A polícia veio, mas o barulho não parou! Por que será???
31 março 2007
29 março 2007
Laurie Toby Edison
Ativista gay, de São Francisco, Laurie Toby Edison tem vários trabalhos, três séries que se tornaram famosas: Images of Fat Women, Familiar Men: A Book of Nude e Women of Japan.
É um sopro novo, na Amazon tem, sopre-se, abane-se!
É um sopro novo, na Amazon tem, sopre-se, abane-se!
Delmas Howe
Tem um estilo próprio, um certo atrevimento. A série com as estações da Via Sacra (Stations) vale a visita ao site. A imagem acima faz parte da série, chama-se "Estudo para Flagelação".
28 março 2007
Ma Mére
Prato cheio para os reaças...
Dirigido por CHRISTOPHE HONORÉ.
Fascinante e erótico - dizem também que é difícil e incômodo, é uma adaptação da novela de Georges Bataille, o que é uma garantia de atrevimento, de clareza no tratamento dos mais árduos temas.Com a morte de seu pai, Pierre (Louis Garrell, na foto, com Isabelle Huppert) começa uma intensa relação incestuosa com sua mãe bissexual, Hélène (Huppert). O filme trata de vários tabus (Mãe bissexual?incesto?Carai...)nudez, culpa católica, imagens cristãs, sexo sadomasô. A crítica diz que o filme, às vezes, é "artístico" demais e que o final é super-chocante.
Dirigido por CHRISTOPHE HONORÉ.
Fascinante e erótico - dizem também que é difícil e incômodo, é uma adaptação da novela de Georges Bataille, o que é uma garantia de atrevimento, de clareza no tratamento dos mais árduos temas.Com a morte de seu pai, Pierre (Louis Garrell, na foto, com Isabelle Huppert) começa uma intensa relação incestuosa com sua mãe bissexual, Hélène (Huppert). O filme trata de vários tabus (Mãe bissexual?incesto?Carai...)nudez, culpa católica, imagens cristãs, sexo sadomasô. A crítica diz que o filme, às vezes, é "artístico" demais e que o final é super-chocante.
Será que teremos a chance de ver?
Amy Winehouse
Nossa antenadíssima indústria musical não lançou Frank aqui, dizem que vão lançar Back to Black. Já dei meu jeito, dê o seu. E procurem Paulo Nutini também! Mika já foi comentadoa até na Veja!
You know I'm no good e Stronger than Me sozinhas valem mais que 90% de tudo lançado aqui.
Stronger than Me
You should be stronger than me
You been here 7 years longer than me
Don´t you know you supposed to be the man,
Not pal in comparison to who you think I am,
You always wanna talk it through
- I don´t care!
I always have to comfort you when I´m there
But that´s what I need you to do
- stroke my hair!
Cos´ I´ve forgotten all of young love´s joy,
Feel like a lady, but you my lady boy,
You should be stronger than me,
But instead you´re longer than frozen turkey,
Why´d you always put me in control?
All I need is for my man to live up to his role,
Always wanna talk it through - I´m ok,
Always have to comfort you every day,
But that´s what I need you to do - are you gay?
I´ve forgotten all of young love´s joy
Feel like a lady, but you my lady boy
He said ´the respect I made you earn -
Thought you had so many lessons to learn´I said ´
You don´t know what love is - get a grip!´
-Sounds as if you´re reading from some other tired script
I´m not gonna meet your mother anytime
I just wanna rip your body over mine
So tell me why you think that´s a crime
I´ve forgotten all of young love´s joy
Feel like a lady, but you my lady boy
Rehab e Love is a Losing Game (jazzy!!!) são ótimas!
26 março 2007
Allen Ginsberg
Canção
O peso do mundo
é o amor.
Sob o fardo
da solidão,
sob o fardo
da insatisfação
o peso
o peso que carregamos
é o amor.
Quem poderia negá-lo
Em sonhos nos toca
o corpo,
em pensamentos
constrói
um milagre,
na imaginação
aflige-se
até tornar-se
humano -
sai para fora do coração
ardendo de pureza -
pois o fardo da vida
é o amor.
mas nós carregamos o peso
cansados
e assim temos que descansar
nos braços do amor
finalmente
temos que descansar nos braços
do amor.
Nenhum descanso
sem amor,
nenhum sonho
sem sonhos
de amor-
quer esteja eu louco ou frio,
obcecado por anjos
ou por máquinas,
o último desejo
é o amor
-não pode ser amargo
não pode ser negado
não pode ser contido quando negado:
o peso é demasiado
- deve dar-se
sem nada de volta
assim como o pensamento
é dado
na solidão
em toda a excelência
do seu excesso.
Os corpos quentes
brilham juntos
na escuridão,
a mão se move
para o centro
da carne,
a pela treme
na felicidade
e a alma sobe
feliz até o olho -
sim, sim
é isso que
eu queria,
eu sempre quis,
eu sempre quis
voltar ao corpo
em que nasci.
A tradução, chiquérrrmica, é de Cláudio Willer, de 1984, quando a LPM procurava se destacar da mesmice editorial.
25 março 2007
Promessa E dívida!!
Cabrotinho enviou projeto para a Assembléia do Rio autorizando o pagamento de pensão para companheiro do mesmo sexo. Seria bom, caso alguém conseguisse receber um centavo sequer!
21 março 2007
Apenas Diga Não!!!
Mais um vídeo anti-homofobia!
http://www.youtube.com/watch?v=9h5raxi7n5c&mode=related&search=
http://www.youtube.com/watch?v=9h5raxi7n5c&mode=related&search=
20 março 2007
Poesia
Um livro ótimo: A Day for a Lay: a century of gay poetry, coordenado por Gavin Dillard, onde pode-se ler:
Explanation
I am nor gay by your definition
I will not stand in the drab beige men's room
like a fern watered with urine,
and wait for penises. I'm sorry.
Morality will just have to change.
I speak directly to the sons of
your officials, under the moon,
with professors listening.
We have burned the closet door in effigy.
There will be no more watching for the feet
of policemen under the partition.
Nor the mediocrity of masses of shuffling gays
in the dark bars, ghettoed and ethnic.
I love men. I tell them so directly.
Wherever we encounter, there are no categories.
William Barber foi mais uma vítima da AIDS, ceifado no auge de sua vida.
Este poema está na página 183.
Explanation
I am nor gay by your definition
I will not stand in the drab beige men's room
like a fern watered with urine,
and wait for penises. I'm sorry.
Morality will just have to change.
I speak directly to the sons of
your officials, under the moon,
with professors listening.
We have burned the closet door in effigy.
There will be no more watching for the feet
of policemen under the partition.
Nor the mediocrity of masses of shuffling gays
in the dark bars, ghettoed and ethnic.
I love men. I tell them so directly.
Wherever we encounter, there are no categories.
William Barber foi mais uma vítima da AIDS, ceifado no auge de sua vida.
Este poema está na página 183.
11 março 2007
Abu Nuwas
Abu Nuwas
É o primeiro poeta gay mulçumano de que se tem registros sérios. É personagem das Mil e Uma Noites!!
Um exemplo do seu trabalho:
In the Bath-house
In the bath-house, the mysteries hidden by trousers
Are revealed to you.
All becomes radiantly manifest.
Feast your eyes without restraint!
You see handsome buttocks, shapely trim torsos,
You hear the guys whispering pious formulas
to one another
("God is Great!" "Praise be to God!")
Ah, what a palace of pleasure is the bath-house!
Even when the towel-bearers come in
And spoil the fun a bit.
numa tradução frouxa:
Na Sauna
Na sauna, os mistérios guardados pelas calças
são revelados a você.
Tudo se torna brilhantemente explícito!
Regale seus olhos sem restrições!
Você vê lindas bundas,
peitos musculosos,
Você ouve trocas de sussuros piedosos:
"Louvado seja deus!", "Deus é grande!"
AH! A sauna é um palácio dos prazeres!
Mesmo quando o rapaz das toalhas aparece
e estraga a brincadeira!
09 março 2007
Paul Goodman
Paul Goodman era anarquista. bissexual, americano e um tremendo poeta. Vejam abaixo:
Long Lines:Youth and Age
Like a hot stone your cock weighs on mine, young man,
and your face has become brutish and congested.
I'd draw back and gaze at it but drunk with carbon dioxide
we cannot stop snuffling each other's breath.
I am surprised you lust for a grayhead like me
and what a wastefor me to grapple so much pleasure
with sliding palms holding your thin body
firmly while you squirm, till it is time to come.
Come, lad...I had come with him for company
ho his pounding heart. We are wet. Wistfully
I play with his black hair while he falls asleep
minute by minute, slowly, unlike mu restless life.
It is quiet on his little boat. "He's a noisy lover,"
I notice idly - the April air is keen -
"but he has no human speech." It's I who say
the words like "I love you" and "Thank you"
Long Lines:Youth and Age
Like a hot stone your cock weighs on mine, young man,
and your face has become brutish and congested.
I'd draw back and gaze at it but drunk with carbon dioxide
we cannot stop snuffling each other's breath.
I am surprised you lust for a grayhead like me
and what a wastefor me to grapple so much pleasure
with sliding palms holding your thin body
firmly while you squirm, till it is time to come.
Come, lad...I had come with him for company
ho his pounding heart. We are wet. Wistfully
I play with his black hair while he falls asleep
minute by minute, slowly, unlike mu restless life.
It is quiet on his little boat. "He's a noisy lover,"
I notice idly - the April air is keen -
"but he has no human speech." It's I who say
the words like "I love you" and "Thank you"
08 março 2007
Campanha Anti-Homofobia
Um vídeo ótimo, que merecia ser mais divulgado:
http://www.youtube.com/watch?v=kfXjT0pWA_U
http://www.youtube.com/watch?v=kfXjT0pWA_U
06 março 2007
Just Say No!!!
Mais um crime de ódio, mais explicações toscas!! É tão difícil assim tomar precauções? É tão difícil assim assumir posturar sérias de segurança? Que coisa!!
Cravo e Ferradura
O Judiciário, a cada dia, se mostra mais gagá e desorientado.Viúva não é despesa, viúvo é?
05 março 2007
HQ Gay
Dan Bellm
Americano, poeta, de San Francisco, escreveu este poema que está na página 222 do livro A Day for a Lay:
If I'm not a strong person - if I'm not like the other
boys - maybe I shouldn't have been a boy
at all. In his halfit room the child
is looking at his body
with his brand-new glasses off. Here
he can be as invisible as he wants. Yes,
it's getting harder to see; yes,
his vision will be bad forever; yes, the others
will outrace him as he feels his way. Here,
held up a little closer than before, are a girl's
hands, not the hands of his father - anybody
can see how the bones could brake. Sensitive child -
oversensitive - you can't let the other children
make you cry his mother says - Ignore them, yes,
that's what I did in school. He wishes his body
could be solider or disappear when the other
boys como at him at the schoolyard door, one boy
in particular who spits, says faggot and girl, who hit him here
in the chest until he did cry, and here
on his girls limp arms. His body is not his hope. The child
supposes if he were a girl
the others boys might like him then, yes,
might even apologize, and he would like the other
boys to care for him, one in particular whose body
is mean and shines with sweat, him more than anybody,
and the child touches himself here
where his legs join while the other
hand strokes the rising - hum - the child
doesn't yet call it anything to himself - yes -
until he shivers to a stop, imagining the boy
beside him, but I would have to be a girl
for that, and I'm not, I have this puny body
of a boy. Then hope must lie in his mind, yes,
all right, he can see more clearly in here
with his bad eyes shut, this child
who would rather have any other
body but his own, a girlboy
given to see the world as through a glass, but here
is his body and he will live in it, yes, because there is no other.
If I'm not a strong person - if I'm not like the other
boys - maybe I shouldn't have been a boy
at all. In his halfit room the child
is looking at his body
with his brand-new glasses off. Here
he can be as invisible as he wants. Yes,
it's getting harder to see; yes,
his vision will be bad forever; yes, the others
will outrace him as he feels his way. Here,
held up a little closer than before, are a girl's
hands, not the hands of his father - anybody
can see how the bones could brake. Sensitive child -
oversensitive - you can't let the other children
make you cry his mother says - Ignore them, yes,
that's what I did in school. He wishes his body
could be solider or disappear when the other
boys como at him at the schoolyard door, one boy
in particular who spits, says faggot and girl, who hit him here
in the chest until he did cry, and here
on his girls limp arms. His body is not his hope. The child
supposes if he were a girl
the others boys might like him then, yes,
might even apologize, and he would like the other
boys to care for him, one in particular whose body
is mean and shines with sweat, him more than anybody,
and the child touches himself here
where his legs join while the other
hand strokes the rising - hum - the child
doesn't yet call it anything to himself - yes -
until he shivers to a stop, imagining the boy
beside him, but I would have to be a girl
for that, and I'm not, I have this puny body
of a boy. Then hope must lie in his mind, yes,
all right, he can see more clearly in here
with his bad eyes shut, this child
who would rather have any other
body but his own, a girlboy
given to see the world as through a glass, but here
is his body and he will live in it, yes, because there is no other.
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